A gouache sketch of a woman. Color and composition notes from the Nelson Atkin’s European painting, such as: Poussin, “Shockingly narrow gamut of value and chroma on the [divine] faces. Greater gamut on ‘rough’ faces. Satyrs, centaurs, etc.” Or, Panini, “Mottled flesh, cartoonish simplification of planes and chroma. Bizarre foreshortening of leg on right figure.”And so on.