A sketchbook page with a colored pencil study after Ruben’s Head of a Young Man (1601), a watercolor of Tess and a pencil of Sam B. These are the last pages of a huge Moleskine watercolor sketchbook that I could never love, the paper being of indifferent surface texture and an awkward, utilitarian A3/11×17. On […]
Pencil study of The Elephant Hunter sculpture (1927), by Malvina Hoffman. This was one of the most striking pieces from the current retrospective of Hoffman’s work at the Cedar Rapids Museum of Art. If you are in Iowa, I recommend taking time to visit this exhibition.Like her mentors Borglum and Rodin, Hoffman gravitated toward interpreting the […]
A sketchbook page showing gouache drawings after Teniers (Temption of St. Anthony) and Pieter Aertsen (Adoration of the Magi – Presentation in the Temple). Here I am trying to figure out color and composition for my current paintings.
This is a gouache modello painted on laser-cut foam board, after Pieter Bruegel’s Card Players. A grotesque, brutal, ridiculous fight scene.
A small laser-cut cardboard modello for a larger oil painting after Adoration of the Magi, Francesco Bassano, 1568.
A wall-mounted amalgam of Tenier’s many (hundred) paintings of the Temptation of St. Anthony, in the style of a nativity creche. I’m trying to figure out the rear-most figure with the broom, and to consider how the piece might be lit from inside.
A gouache study after David Teniers’ painting at the Minneapolis Institute Of Art. Teniers (and his workshop) painted this charming moralistic set-piece from the medieval Golden Legend several times during the later half of the 17th century.
Visiting the Golden Age of Spanish Art exhibition at the Kunsthalle Munich with my daughter in March, I was struck by Counter Reformation master Alonso Cano’s powerful, lifelike polychrome bust of Paul, from 1660. Based on many preparatory drawings, sketches and photos made at the exhibit, I created this three-color silkscreen. The handmade screens themselves are hand-painted separations. […]